Mar. 27th, 2012

swan_tower: (armor)
Every time I try to start drafting a post about Trayvon Martin, I run up against the impossible reach of the issue.

There's enough to say about the kid to fill an entire post, about the injustice of what happened to him. But I can't tease those things out from all the other things: Zimmerman and his history of neighborhood vigilantism; Geraldo Rivera and the bullshit about hoodies; the appalling failure to investigate this crime as it should have been, when it should have been; the Sanford Police Department and their previous failures to deal appropriately with this kind of thing; the Stand Your Ground law in Florida and elsewhere (which I had not heard of before, and which makes my blood run cold); all the way out to parenting black children in this country, or ALEC and its influence on the legislative agenda of many states. It's some kind of monster out of Lovecraft, with tentacles reaching everywhere -- and I don't mean that metaphor in a trivializing fashion. I look at this, and feel my sanity die a little. Along with my hope for humanity.

It's too much to take in, let alone talk about coherently.

Especially when my thoughts sweep outward to take in Shaima Alawadi, or the people whose names no one asks about. And skimming through my browser window to find where those tabs had got to, I passed a bunch I'm keeping for a later post, about capitalism and economic inequality and I'm fooling myself if I pretend these things don't tie together down at the root.

Fred Clark at Slacktivist was talking the other day about how depressing The Wire is, not despite of but because of its brilliance: it shows you how deeply ingrained these issues are in the institutions that make up our society, and how near to impossible change is. I haven't watched more than maybe half a dozen episodes of the show because I can't deal with looking that sort of thing in the eye; I need to stay away in order to preserve my belief that we can improve things. But the problem isn't in the TV show -- it's in the real world. And sometimes you can't avoid staring it in the eye.

The Sanford Police Department will likely face some consequences. Maybe we'll get the Stand Your Ground laws struck down in a few places. But hacking out those roots and digging the whole mess out of the soil of our country . . . I don't know how you do that. Days like this one, I wonder if you can.
swan_tower: (Maleficent)
On a more cheerful note: today is the release date for Range of Ghosts, by Elizabeth Bear ([livejournal.com profile] matociquala).

She had me at "Central Asian epic fantasy." I have been eagerly awaiting this book since I first saw her mentioning it on LJ, oh, more than a year ago -- maybe two. THERE IS A SHORTAGE OF MONGOLIAN FANTASY IN THE WORLD, Y'ALL. Fortunately, this is the first book in a series, and so that means the lack is being addressed, at least in small part.

The most succinct thing I can say about this book is that it's rich, to a degree I haven't seen in . . . ever? Rich in culture, rich in fantasy, rich in politics. I don't know enough about the Mongols to tell where Bear diverges from their real society into her own invention, but her Qersnyk tribesmen are not Standard Fantasy Nomads, and the care and detail devoted to the horses in the story is both beautiful and necessary. Without that, I wouldn't believe in the culture. The political complexity laid out in this first book bears no resemblance to the "good guys vs. black-armored masses" dichotomy of older epic fantasy, and promises to bear interesting fruit as the story goes along. And then there are the touches that are just pure wonder: the sky above your head depends on who controls the territory you're in, and in Qersnyk lands, there is a moon in the sky for each member of the ruling family. Temur, the Qersnyk protagonist, looks up each night to see which of his cousins are still alive.

This is very much the first book in a series. The necessity of setting things up means the story is less plotty than I was expecting; Bear can't just wave vaguely in the direction of the usual epic fantasy tropes, but has to spend time developing her world and the societies Temur and Samarkar (a female wizard from Tsarepheth, and the other main protagonist) come from. There's a lot of foundation-laying going on, and the climax of this book doesn't particularly wrap anything up, even in the short term. (There is no blowing up of the Death Star 1.0 here.) But the richness is pretty entrancing all on its own, and I'm very eager to see what grows out of it in the later books.

(And I want to see more of Bansh. Because Temur's horse is the best horse ever.)

As I said, this is the release date -- yeah, I got an advance review copy; envy me! -- so hie thee to a bookstore and see if they have it in. Between the familiarly Europeanish tone of most epic fantasy and the real-world setting of urban fantasy, the difference of Bear's world is like a breath of fresh (and magical) air.

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